Share This Gerry Dawes's Spain Post


Instagram

In 2026, ranked #7 in the Top 30 Gastronomy Blogs (and Websites for Gastronomists & Gastronomes by Feedspot. (Ranked in the top 50 since 2019). "The Best Gastronomy blogs selected from thousands of Food blogs, Culture blogs and Food Science. We’ve carefully selected these websites because they are actively working to educate, inspire, and empower their readers with . . . high-quality information.

More than 3,640,000 views since inception, 123,000+ views in August 2026.



36. Gerry Dawes's Spain: An Insider's Guide to Spanish Food, Wine, Culture and Travel gerrydawesspain.com

"My good friend Gerry Dawes, the unbridled Spanish food and wine enthusiast cum expert whose writing, photography, and countless crisscrossings of the peninsula have done the most to introduce Americans—and especially American food professionals—to my country's culinary life. . .” - - Chef-restaurateur-humanitarian José Andrés, Nobel Peace Prize Nominee and Oscar Presenter 2019; Chef-partner of Mercado Little Spain at Hudson Yards, New York 2019

Showing posts with label Murciagate. Show all posts
Showing posts with label Murciagate. Show all posts

12/27/2011

Jim Budd on Jim's Loire "Pancho Campo MW: investigation or witch hunt?" Plus Robert Parker's "This blogger. . ." and Links to Other Stories in The Ongoing The Pancho Campo-Jay Miller-Robert M. Parker, Jr. The Wine Advocate Controversy


 * * * * *

Pancho Campo MW: investigation or witch hunt? by Jim Budd

Pancho Campo MW – Vinos de Madrid: a response from Robert Parker

Top 10 drinks stories of 2011 The Drinks Business (The controversy is #8) 


Links to Other Stories on The Pancho Campo-Jay Miller-Robert M. Parker, Jr. The Wine Advocate Controversy:
_________________________________________________________________

About Gerry Dawes

Gerry Dawes was awarded Spain's prestigious Premio Nacional de Gastronomía (National Gastronomy Award) in 2003. He writes and speaks frequently on Spanish wine and gastronomy and leads gastronomy, wine and cultural tours to Spain. 
 
Dawes was awarded the Food Arts Silver Spoon Award in a profile written by José Andrés, the 2011 James Beard Foundation Outstanding Chef
 
Trailer for a proposed television series on wine, gastronomy, culture and travel in Spain.
 

12/23/2011

The UK "Drinks Business" Top Ten Stories of 2011; The Pancho Campo-Jay Miller-Robert Parker Wine Advocate Controversy & the Masters of Wine Institute's Investigation into Campo's Activities in Spain is Number Eight



* * * * *


As the year draws to a close, a scandal currently holds the wine industry in thrall.

The Institute of Masters of Wine (IMW) announced in December that it was opening an investigation into the conduct of Pancho Campo MW following allegations the president and founder of The Wine Academy of Spain charged Spanish wineries up to €40,000 for a visit from Jay Miller of The Wine Advocate.

Announcing the formal investigation, an IMW statement said: “Membership of the Institute and the right to use the title Master of Wine is reserved for those individuals who have passed all aspects of the Masters of Wine Examination, agreed to abide by the Institute’s formal Code of Conduct and who remain members in good standing.

“In the event that a breach of the Code is proven, a range of sanctions is available to it.


“Having received a formal complaint into Pancho Campo MW’s alleged conduct, the Institute of Masters of Wine has opened an investigation.”


Campo had already moved swiftly to deny any wrongdoing, issuing a statement through The Wine Academy of Spain which said: “The Wine Academy of Spain never requested from any wineries monies for the visits of Jay Miller or for tasting their wines.


“All the expenses for Jay Miller to travel to Spanish wine regions to taste and review wines were covered by The Wine Advocate, including his transportation, accommodation, meals and any other related expenses,” the statement continued.


According to Campo, the only occasion when fees had been charged were for “the organisation, setup and management of events that included seminars, conferences, masterclasses and guided tastings, which were open to the public,” but that “None of these fees were ever paid to The Wine Advocate.”


Miller has since resigned from The Wine Advocate, but denied his stepping down had anything to do with the Spain debacle. “Some may believe my stepping down is in response to my critics, nothing could be further from the truth,” he said.


“I have never accepted (or request) fees for visiting wine regions or wineries.”


The wine world will wait with baited breath for the outcome of the IMW enquiry in the new year.


Related posts on: 


Gerry Dawes's Spain: An Insider's Guide to Spanish Food, Wine, Culture and Travel

 




12/15/2011

Spain's Top Wine Writer José Peñin on the Pancho Campo-Wine Advocate-Robert M. Parker Jr., Jay Miller "Pay for Play" So-called "Murciagate" Controversy

* * * * *

José Peñin and Gerry Dawes in New York.


Here is my rough translation of José Peñin’s (Spain's top wine writer) post on elmundovino.com concerning the Pancho Campo-Jay Miller-Robert M. Parker, Jr. controversy, which has been called "Pay for Play." Many critics--professional bloggers like Dr. Vino, Mike Steinberger's Wine Diarist  and British writer Jim Budd and non-professional bloggers like Arto Koskelo's koskeloonwine (his Hades of Parker is brilliant)--believe that documented evidence (obtained from various sources) suggests that Miller's reviews of Spanish wines in The Wine Advocate are being influenced by "speaking fees" of up to $15,000 (verified from an event in Navarra).  

Documented reports of other solicited payments for "appearance" and "speaking" fees in Murcia and Madrid have also been reported and Miller was reportedly paid for an appearance at another early December "cata magistral" (master tasting) conducted by Pancho Campo with only the wines of the D.O. Valencia, which footed the 35,000 Euro Pancho Campo Wine Academy of Spain bill.  

Reports of what was paid (if anything) a few day's later for Miller's appearance in the obscure Málaga denominación de origen or in Jerez de la Frontera have not yet surfaced.

I have changed some of the literal translation to refect what the statement actually means.  If any one sees any errors in this regard, please point them out and I will gladly correct them.

Below are Peñin's observations from his post on elmundovino.com, which are the first we have seen from an important Spanish wine writer, with the execption of some post comments by elmundovino.com's Victor de la Seran.  The rest of the Spanish wine press, many of whom have reportedly received payments from Pancho Campo's The Wine Academy for events (and in 2009, reports of lawyers representing Pancho Campo threatening them with legal action), has been notoriously silent on the issue.

José Peñin on elmundovino.com

"The matter is very clear. Parker, as any writer or journalist, charged for a non-binding presentation or a tasting as he has done in the two WineFuture events (in La Rioja and in Hong Kong).

Any time that a personality wearing his journalistic cloak is invited by an institution, consortium or collective to visit an area and therefore taste their wines (for review), he must not charge a penny. It is my understanding that Jay Miller comes to accomplish this type of journalistic work and reflects it in (his tasting notes reports) in The Wine Advocate.

What seems to me outrageous is that in this (presumed) work, which is supposed to be informative and independent, that he uses an an intermediary, like one of those managers of stars who charge their clients (for appearances), which makes one feel like he (Miller) is being served up on a plate, which is like something out of a soap opera.

Does Jay (Miller) actually charge more than his travel expenses? I don't think so. In other years Jay Miller tasted Spanish wines in his own country and did not charge for it (tasting the wines). The costs of (Miller’s) travel (to and in Spain) and for his stay in our country have nothing to do with the figure of 20,000 euros charged by the intermediary, in this case Pancho (Campo), and this logically is reprehensible because surreptiously it puts a price on the announcement "Jay (Miller) is coming to taste Spanish wines that will appear in (his reviews) in The Wine Advocate."

Pancho (Campo) wrote in this forum (elmundovino.com) that the (various) D. O.(s) contracted him (Miller) for various events. Yes, but not because of the importance and and popularity of you (Pancho Campo), nor even the Jay Miller, but due to the significance of the famous newsletter (The Wine Advocate) that is directed by the true guru who is (Robert M.) Parker.

I have transmitted to Pancho that even bringing Miller to tour Spain as a favor without other pecuniary condition should have been left in the hands of someone from his (Campo's) team (to make arrangements). I told him that his rapidly growing reputation for accompanying Parker’s (Robert M. Parker, Jr. of The Wine Advocate) is not going to end well. 

Pancho (Campo) is a Master of Wine and the prestige obtained not only by the organization of the two important WineFutures events, as well as those Climate Change events, but also his educational activity of spreading (knowledge) about Spanish wines in the world, is being threatened by this “Miller circus.”

And there is Jim Budd’s long epistle (about the Pancho Campo, Jay Miller, Robert M. Parker so-called Murciagate affair).

Friend Pancho, I think it will cost you sweat and tears to put your next Wine Futures event together (because of this “circus”).

12/02/2011

From Kosolo on Wine, The Hades of Parker ". . . the very moment Parker (Robert Parker, Publisher of The Wine Advocate) released this statement Murciagate became not only a scandal but a Greek tragedy in its purest form

* * * * *

 "If you are like me and find it interesting to follow the twists and turns of the so-called Murciagate I can assure you, we’re not alone. What I find most interesting, even above the essential question whether the abuse of status has been systematic or just a wrongdoing of a single person (or the evidence shown at Jim’s Loire a forgery) is not what most makes me tick. The incidents are not the most important thing for me, neither the people involved. For some reason it’s the story itself. The way it unfolds. While sipping my coffee this morning I realized that the very moment Parker released this statement Murciagate became not only a scandal but a Greek tragedy in its purest form.

The story of Murciagate has some archaic appeal to it, no doubt. As people we are drawn to stories and myths with such vigor. They work within the structures of culture interwoven in the texture so seamless that we don’t know whether we act in these structures or these structures more in us.

Let’s see what the good old Aristotle has to say about tragedy and read these real life events as a text. A tragedy obviously needs a plot but who’s the protagonist of this story? One might easily be inclined to think it was Mr. Pancho Campo, because he is undeniably in the core of events now unfolding. That, how ever, would be a mistake. Although Mr. Campo’s agency has been most vital for the plot to build up he’s not the protagonist of the story. In fact, the role of the villain falls on Mr. Campo.

Mr. Jay Miller isn’t the character either though it’s claimed Mr. Campo did the accused deeds in his name. In fact in this text, he’s only a vessel for the villain used to for many purposes. At the same time Mr. Miller might be seen as the false hero according to Vladimir Propp and a catalyst for a tragedy potentially of epic-scale.

The protagonist of the story is in fact Robert Parker himself. He was pulled in reluctant without a choice, drawn in from a distant location, just the way the protagonist should be. This is not the only thing that makes Parker a great main character, because as Aristotle put it:

The protagonist should be renowned and prosperous, so his change of fortune can be from good to bad.”

The protagonist’s has to conduct a hamartia, a tragic error of epic scale; a wrong doing which he carries out either by ignorance or mistake. If the protagonist is malign, sinister or evil, the play isn’t a true tragedy like this one. This part of the tragedy becomes self evident when you read Parker’s latest response on the evidence provided at Jim’s Loire.

“The change should come about as the result, not of vice, but of some great error or frailty in a character. That is hamartia.”

Read the rest of this compelling post:  The Hades of Parker, Kosolo on Wines

Related Posts with Thumbnails