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36. Gerry Dawes's Spain: An Insider's Guide to Spanish Food, Wine, Culture and Travel gerrydawesspain.com

"My good friend Gerry Dawes, the unbridled Spanish food and wine enthusiast cum expert whose writing, photography, and countless crisscrossings of the peninsula have done the most to introduce Americans—and especially American food professionals—to my country's culinary life. . .” - - Chef-restaurateur-humanitarian José Andrés, Nobel Peace Prize Nominee and Oscar Presenter 2019; Chef-partner of Mercado Little Spain at Hudson Yards, New York 2019

Showing posts with label Homage to Iberia. Show all posts
Showing posts with label Homage to Iberia. Show all posts

2/09/2025

James Michener's Iberia: Spanish Travels and Reflections: More Autographs, Stories & Photos Behind the Signatures. Jim Corbett, Pg. 530

 
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 Former Marine Jim Corbett in Pamplona, 1977.  
Photograph by Gerry Dawes©2020.
 

Story about Jim Corbett, related in James A. Michener's Iberia, pg. 530 in the original 1968 Random House version without mentioning Corbett by name.  
 
 
  
Matador John Fulton performing in a festival bullfight in Pamplona, 1977.  
Photograph by Gerry Dawes©2020.
 
"Matador Fulton told an equally strange tale. He was born in Philadelphia, Fulton John Sciocchetti, to a conservative middle-class Italian-Hungarian family who changed their last name to Short, so his name was legally Fulton John Short, but in the ring he was known as John Fulton. As an art student at the Philadelphia Museum School he gained high marks, but reading Hemingway’s Death in the Afternoon alerted him to the romance of the bullring, and when his military duty took him to camps along the Mexican border he began to train as a bullfighter, and once he did this, he was lost. He kept us chuckling in the mists as he recounted one after another of the misadventures which seem to overtake all bullfighters: ‘I was fighting this time in Tijuana and there was this dippy dame from some society or other in southern California who conceived a passion for bullfighters, one after another, and this week it was “our heroic American matador, John Fulton.” As the fight was about to begin she leaned down out of the stands, grabbed at my hand and told her husband,  “I have fallen madly in love with this young man and I warn you that if the bull wounds him I shall leave you sitting here, because my place will be in the ring with the wounded hero.” Her husband looked at her, looked at me, then put his hands to his mouth and bellowed, “Come on, bull!”’--James A. Michener, Iberia, pg. 530 in the original 1968 Random House version.
 
John Fulton told Michener and his fellow picnickers this story in Roncesvalles.  The guy who yelled "Come on, Bull!" was supposedly Jim Corbett, a long-time friend of John Fulton and a man I came to know well when he lived in Sevilla in the Barrio de Santa Cruz.  
 
 
Matador John Fulton on and Gerry Dawes in the bullring at Pamplona, 1971.
Photographer by master Reuters (at the time) photographer Jim Hollander. 
 
In the following paragraph, Michener wrote about Professor Kenneth Vanderford, who was also a friend of mine, at the same picnic in Roncesvalles:
 
"Vanderford astonished me by having in his pocket the details of that first bullfight I had seen in Valencia so many years ago.  Working in his patient way through the newspapers of the period on file in Madrid, he had found answers to my questions: The fight had occurred on the Sunday after Easter, April 3, 1932, in the plaza at Valencia. The bulls were from the ranch of Don Manuel Comacho of Sevilla, and the matadors appear to have been regular, no more. Marcial Lalanda, so-so. Domingo Ortega, details. El Estudiante, details. He continued with his deflating analysis of the fight which I had remembered as something rather more than regular."--James A. Michener, Iberia, pg. 530 in the original 1968 Random House version.

  
Kenneth Vanderford at one of our picnics in Roncesvalles, 1971.
Photograph by Gerry Dawes©2020.
 
 Read more about our picnics in Roncesvalles here:
__________________________________________________________________________________  

 Gastronomy Blogs
 About Gerry Dawes

Gerry Dawes is the Producer and Program Host of Gerry Dawes & Friends, a weekly radio progam on WPWL 103.7 FM Pawling Public Radio in Pawling, New York.

  Dawes was awarded Spain's prestigious Premio Nacional de Gastronomía (National Gastronomy Award) in 2003. He writes and speaks frequently on Spanish wine and gastronomy and leads gastronomy, wine and cultural tours to Spain. He was a finalist for the 2001 James Beard Foundation's Journalism Award for Best Magazine Writing on Wine, won The Cava Institute's First Prize for Journalism for his article on cava in 2004, was awarded the CineGourLand “Cinéfilos y Gourmets” (Cinephiles & Gourmets) prize in 2009 in Getxo (Vizcaya) and received the 2009 Association of Food Journalists Second Prize for Best Food Feature in a Magazine for his Food Arts article, a retrospective piece about Catalan star chef, Ferran Adrià. 

In December, 2009, Dawes was awarded the Food Arts Silver Spoon Award in a profile written by José Andrés

". . .That we were the first to introduce American readers to Ferran Adrià in 1997 and have ever since continued to bring you a blow-by-blow narrative of Spain's riveting ferment is chiefly due to our Spanish correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food journalist raised in Southern Illinois and possessor of a self-accumulated doctorate in the Spanish table. Gerry once again brings us up to the very minute. . ." - - Michael & Ariane Batterberry, Editor-in-Chief/Publisher and Founding Editor/Publisher, Food Arts, October 2009. 
 
Pilot for a reality television series on wine, gastronomy, culture and travel in Spain.
 

1/03/2023

James Michener's Iberia: Spanish Travels and Reflections: Photographs and Recollections from Iberia and from Gerry Dawes's Homage to Iberia

 
* * * * *
Gerry  Dawes giving a derechazo to a vaca brava at a tienta at Concha y Sierra ranch, 1971.  Photographs
of me showing my arte taurino and vino courage by Robert Vavra, photographer for James Michener's Iberia.
 
Although the passage from James Michener's Iberia below my Homage to Iberia excerpt doesn't have an autograph, it has a personal story behind. One day in 1971, I was lucky enough to be invited by Matador John Fulton to a tienta (a testing of the fighting stock) at Concha y Sierra ranch. Joining us was Iberia photographer Robert Vavra, the novillero Curro Camacho (about whom Vavra was writing and photographing a book), another bullfighter aspirant and my friend, the up-and-coming novillero Alonso Morillo, who had already had several triumphs in the La Maestranaza, Sevilla's La Scala of bullrings. 
 
Giving a derechazo to a vaca brava at a tienta at Concha y Sierra ranch, 1971.  Photograph by Robert Vavra, photographer for James Michener's Iberia.
 
The professional toreros gave passes to several of the vacas bravas as I photographed them from a burladero (the protective barrier behind which the toreros stand when the animal first comes into the ring). There was also plenty of Palma del Condado vino, a Sherry-like wine made in Huelva province. I had drunk my share to work up my courage in case they might invite me to try my hand at some passes.
 
Interior patio of our first home at Justino de Neve 3 in

the Barrio de Santa Cruz, the old Jewish quarter of Sevilla.
 
I had been living in a lovely house in the Barrio de Santa Cruz, the old Jewish quarter of Sevilla. Some nights when my pareja Diana Valenti and I came back from a night of in the tapas bars of Sevilla, in the Plaza de los Venerables, right off our street, Justino de Neve, we would encounter a very friendly big black and white hound that I called "Hombre."  Hombre was very playful, so I began pulling out my pocket handkerchief, unfurling it and giving the perro bullfighting passes. I had done this numerous times. Surprisingly, it was not much different from fighting a bull, except a bull is much, much larger and has horns that can kill you. 
 
Fulton and the others did not know that I had been practicing with the big dog plus I had the advantage of several of those glasses of 15% alcohol Condado de Palma wine, which mercifully was a fear inhibitor. So, when they asked me if I wanted to give some passes to that Concha y Sierra vaca brava, I was very pleased to get the chance. 
 
 Gerry  Dawes giving a derechazo to a vaca brava at a tienta at Concha y Sierra ranch, 1971.  Photograph by Robert Vavra, photographer for James Michener's Iberia.

John Fulton gave me his muleta and lighter wooden fake sword that is used to spread the cloth for right-handed passes. I went out into the ring for my date with destiny, a several hundred-pound cow from fighting stock, with horns. Cows, which are tested to see if they are brave enough for breeding fighting bulls, have wounded and killed numerous bullfighters. The most notable was the great Antonio Bienvenida, who was killed when a cow that had been fought and let out, came charging back into the ring, caught him behind, lifted him into the air and dropped him on his head, which broke his neck and caused his death. 

But, with my Condado de Palma-induced bravery and having seen El Cordobés, the most popular bullfighter in those days, advance towards a bull crossing the trajectory as they say, slapping his outer thigh and shouting, "Ey, ey, toro," imitating El Cordobés. I advanced slapping my left thigh.
Fulton shouted, "Don't do that, Gerry, you will call her in on you."
 
  
 
 
Giving a derechazo to a vaca brava at a tienta at Concha y Sierra ranch, 1971.  Photograph by Robert Vavra, photographer for James Michener's Iberia.


But, when I advanced the muleta (the red cloth), the vaca brava charged like she was "on rails' and was an excellent very brava specimen. She went for the cloth and not for me, for which I will forever be grateful. I got off seven passes, three of them linked, and actually heard "Ole's" from my professional torero friends and Bob Vavra, my photography mentor. Fortunately, Vavra used my cameras to capture my "faena" for posterity. --from Homage to Iberia, a work-in-progress by Gerry Dawes©2020
 
 
Giving a derechazo to a vaca brava at a tienta at Concha y Sierra ranch, 1971.  Photograph by Robert Vavra, photographer for James Michener's Iberia.

 Below:

Part of Jim Michener's description of his outing with John Fulton to visit Concha y Sierra ranch in Las Marismas in the province of Huelva. 
 
Photograph of a page about Concha y Sierra with a photo of a burladero at the ranch. Iberia, p. 213.  Photograph by Robert Vavra.
 
"I was fortunate in visiting Las Marismas for the first time in winter, for this was the rainy season and I was thus able to see the bull ranch in maximum swamp condition; it seemed to me that about seventy percent of its land was either under water or was so water-logged that if I stepped on what appeared to be a solid tussock, it collapsed beneath me with a soft squish, so that my feet were again in water. It was on such land that the Concha y Sierra bulls flourished, but it was not until the matador led me to the dry area on which the ranch buildings stood, and I saw the famous brand of an S inside a C scrawled on the side of a corral, that I was ready to believe that this was the territory of the bulls about which I had read so much. 

The Concha y Sierra bulls had a brave history, and many a noble head had gone from the bullring to the taxidermist’s and from there to the wall of some museum, with a plaque beneath to inform the visitor as to what this bull had accomplished before he died. 

On June 1, 1857, the Concha Bull Barrabás participated in what the books describe as ‘one of the most famous accidents in the history of bullfighting’ in that, with a deft horn, it caught the full Iberia 228 matador Manuel Domínguez under the chin and then in the right eye, gouging it out. It was assumed that Domínguez would die, for his face was laid open, but with a valor that had characterized his performance in the ring he survived, and three months later was fighting again as Spain’s only one-eyed matador, having stipulated that for his return the bulls must again be from Concha y Sierra. For another seventeen years he fought with only one eye and enjoyed some of his best afternoons with Concha bulls. He is known in taurine history as Desperdicios (Cast-off Scraps, from the contemptuous manner in which he tossed aside his gouged-out eyeball)." -- Iberia: Spanish Travels and Reflections, James A. Michener, page 213 in the original copy of the book.
 
______________________________________________________  

 Gastronomy Blogs

 About Gerry Dawes

Dawes was awarded Spain's prestigious Premio Nacional de Gastronomía (National Gastronomy Award) in 2003. He writes and speaks frequently on Spanish wine and gastronomy and leads gastronomy, wine and cultural tours to Spain. He was a finalist for the 2001 James Beard Foundation's Journalism Award for Best Magazine Writing on Wine, won The Cava Institute's First Prize for Journalism for his article on cava in 2004, was awarded the CineGourLand “Cinéfilos y Gourmets” (Cinephiles & Gourmets) prize in 2009 in Getxo (Vizcaya) and received the 2009 Association of Food Journalists Second Prize for Best Food Feature in a Magazine for his Food Arts article, a retrospective piece about Catalan star chef, Ferran Adrià. 

In December, 2009, Dawes was awarded the Food Arts Silver Spoon Award in a profile written by José Andrés

". . .That we were the first to introduce American readers to Ferran Adrià in 1997 and have ever since continued to bring you a blow-by-blow narrative of Spain's riveting ferment is chiefly due to our Spanish correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food journalist raised in Southern Illinois and possessor of a self-accumulated doctorate in the Spanish table. Gerry once again brings us up to the very minute. . ." - - Michael & Ariane Batterberry, Editor-in-Chief/Publisher and Founding Editor/Publisher, Food Arts, October 2009. 

Gerry Dawes was the Producer and Program Host of Gerry Dawes & Friends, a weekly radio program on WPWL 103.7 FM Pawling Public Radio in Pawling, New York.

 

Pilot for a reality television series on wine, gastronomy, culture and travel in Spain.
 

9/12/2021

Cookbook Author Rozanne Gold on Her Rozanne Gold Blog on My Gazpacho a la Sevillana


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To my way of thinking, gazpacho is always lipstick red (chock full of the ripest tomatoes), jade green (Asian-style), or even bluish-purple (my playful take on a fruit soup made with blueberries and ginger.)  These can all be found in Radically Simple and they are a fabulous prelude to an end-of-summer meal.  But true gazpacho, according to Spanish food-and-wine maven, Gerry Dawes, has a kind of orange-red-coral hue.  Offered with a "lazy Susan" of garnishes -- fresh chopped tomatoes, red and green peppers, cucumbers, onion (or scallions -- not authentic), chopped egg, warm croutons, the base of the soup is rather smooth and made textural with these colorful add-ons.  Today, in Spain, says Gerry, "it has become a trend to add chopped Iberico ham" to the hit parade of toppings.  

Over the Labor Day weekend we enjoyed the fruits of Gerry's labor, as he showed us step-by-step how to make gazpacho, then regaled us with an authentic paella laden with shrimp, squid, two kinds of chorizo, rice awash in homemade fish stock, peas, and peppers -- all cooked in a huge paella pan set atop an outdoor grill.  The goal (and trick) is to get the bottom of the rice to form a nice caramelized crust (socarrat), that is both desirable and delicious. Gerry did. 

You should see him in the kitchen:  the culinary equivalent of a matador. Gerry Dawes was deemed by the late James Michener, to be the rightful heir to scribe the sequel to Michener's Iberia.  Known by many to be one of the leading experts on Spain's gastronomic scene -- both past and present -- he is the recipient of Spain's prestigious Premio Nacional de Gastronomia (National Gastronomy Award) in 2003 and is a familiar figure on Spain's restaurant circuit.  But as food and wine is part of history and culture, Gerry's vast knowledge of Spain, and his beautiful writing style earned him that opportunity by Michener himself.  

Gerry, however, is so busy entertaining friends, making gazpacho, and bringing famous chefs to Spain, that the reality of his novel still awaits.  Gerry has lived on-and-off in Spain for 30 years and his travel notebooks alone are worth stealing.  He was the first American journalist to write about Catalan star chef, Ferran Adria for FoodArts (they are now good friends).  According to Michael Batterberry, FoodArt's late beloved publisher and editor, "...That we were the first to introduce American readers to Ferran Adria in 1997 and have ever since continued to bring you a blow-by-blow narrative of Spain's riveting ferment is chiefly due to our Spanish correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food journalist raised in Southern Illinois and possessor of a self-accumulated doctorate in the Spanish Table."  Whew.  I couldn't have said it better.

 So, it was Mr. Spain last weekend, who finally taught me the gospel-of-gazpacho.  No hot spices (the heat come from the garlic), the proper texture, the requisite color, and the most fabulous taste.   I took notes and you will find my approximation below.  His is the Gazpacho a la Sevilliana -- taught to him by his "Spanish mother" Maria Franco, the proprietress of Pension Santa Cruz located in the old Jewish quarter of Seville.  In the old days, it cost $1.00 a night and an extra .15 cents for a hot shower.  Gerry differentiated his Sevillana gazpacho from the more brick-colored, thicker, sauce-like salmorejo gazpachos of Córdoba, which are often served with strips of fried eggplant.
 
If you are ever planning a trip to Spain, you might want to hire Gerry to write your itinerary and fix-you-up with some of Spain's greatest chefs and restaurants, or follow Gerry Dawes's  Spain:  An Insider's Guide to Spanish Food, Wine, Culture and Travel, on his generous blog.   His photography is also award-winning.  www.gerrydawesspain.com

Gerry's Gazpacho Gerry says the base of gazpacho is primal -- water, vinegar, garlic and bread.
5 very large ripe tomatoes, cut into wedges 1-1/2 large cucumbers, peeled, seeded and chopped 1/4 cup vinegar (Gerry used 2 tablespoons white wine vinegar, 1 tablespoon sherry vinegar, and 1 tablespoon red wine vinegar) 4 ounces soft baguette, soaked in a bowl of 2 cups water for 20 minutes 1 cup chopped red peppers 1 cup chopped green peppers 1 cup chopped orange peppers 2 large cloves garlic 1/2 cup extra-virgin olive oil

Process everything in the food processor until smooth, including the water from the soaking bread.  Strain into a large bowl.  Process the remaining solids until very smooth and add to soup.   Chill until very cold.  Add salt to taste.   Garnish with remaining cucumber, chopped, chopped tomatoes, chopped peppers, chopped egg, chopped onion, and warm croutons.  Serves 6 to 8
 
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Sunset in a Glass: Adventures of a Food & Wine Road Warrior in Spain (Volumes I, II, III & IV; publication of the first two volumes in Fall 2021. 
 
“Gerry Dawes has lived, analysed argued, savoured, prodded, tested, teased and loved his way through Spain's extraordinary gastronomic heritage for decades. Food as friendship is at the core of this wild, passionate road trip through Spain. This is a masterclass in storytelling - delicious and addictive. I have always loved his writings and deep, deep knowledge of Spain and often hear accolades about him from mutual friends in Spain "--Spain expert Gijs van Hensbergen, author of Guernica: The Biography of a Twentieth-Century Icon, In the Kitchens of Castile and Gaudí: A Biography. (Endorsement quote for Sunset in a Glass: Adventures of a Food & Wine Road Warrior in Spain.)   
 
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 Constructive comments are welcome and encouraged.
 
If you enjoy these blog posts, please consider a contribution to help me continue the work of gathering all this great information and these photographs for Gerry Dawes's Insider's Guide to Spanish Food, Wine, Culture and Travel. Contributions of $5 and up will be greatly appreciated. Contributions of $100 or more will be acknowledged on the blog. Please click on this secure link to Paypal to make your contribution.
 
Text and photographs copyright by Gerry Dawes©2021.  Using photographs without crediting Gerry Dawes©2021 on Facebook.  Publication without my written permission is not authorized.
 
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  Shall deeds of Caesar or Napoleon ring
More true than Don Quixote's vapouring?
Hath winged Pegasus more nobly trod
Than Rocinante stumbling up to God?
 
Poem by Archer M. Huntington inscribed under the Don Quixote on his horse Rocinante bas-relief sculpture by his wife, Anna Vaughn Hyatt Huntington,
in the courtyard of the Hispanic Society of America’s incredible museum at 613 W. 155th Street, New York City.
 __________________________________________________________________________________
 Gastronomy Blogs

In 2019, again ranked in the Top 50 Gastronomy Blogs and Websites for Gastronomists & Gastronomes in 2019 by Feedspot. (Last Updated Oct 23, 2019) 

"The Best Gastronomy blogs selected from thousands of Food blogs, Culture blogs and Food Science blogs in our index using search and social metrics. We’ve carefully selected these websites because they are actively working to educate, inspire, and empower their readers with frequent updates and high-quality information."  

36. Gerry Dawes's Spain: An Insider's Guide to Spanish Food, Wine, Culture and Travel


 
About Gerry Dawes

My good friend Gerry Dawes, the unbridled Spanish food and wine enthusiast cum expert whose writing, photography, and countless crisscrossings of the peninsula have done the most to introduce Americans—and especially American food professionals—to my country's culinary life." -- Chef-restaurateur-humanitarian José Andrés, Nobel Peace Prize Nominee and Oscar Presenter 2019


Gerry Dawes is the Producer and Program Host of Gerry Dawes & Friends, a weekly radio progam on Pawling Public Radio in Pawling, New York (streaming live and archived at www.pawlingpublicradio.org and at www.beatofthevalley.com.)

Dawes was awarded Spain's prestigious Premio Nacional de Gastronomía (National Gastronomy Award) in 2003. He writes and speaks frequently on Spanish wine and gastronomy and leads gastronomy, wine and cultural tours to Spain. He was a finalist for the 2001 James Beard Foundation's Journalism Award for Best Magazine Writing on Wine, won The Cava Institute's First Prize for Journalism for his article on cava in 2004, was awarded the CineGourLand “Cinéfilos y Gourmets” (Cinephiles & Gourmets) prize in 2009 in Getxo (Vizcaya) and received the 2009 Association of Food Journalists Second Prize for Best Food Feature in a Magazine for his Food Arts article, a retrospective piece about Catalan star chef, Ferran Adrià. 


". . .That we were the first to introduce American readers to Ferran Adrià in 1997 and have ever since continued to bring you a blow-by-blow narrative of Spain's riveting ferment is chiefly due to our Spanish correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food journalist raised in Southern Illinois and possessor of a self-accumulated doctorate in the Spanish table. Gerry once again brings us up to the very minute. . ." - - Michael & Ariane Batterberry, Editor-in-Chief/Publisher and Founding Editor/Publisher, Food Arts, October 2009. 
 
Pilot for a reality television series on wine, gastronomy, culture and travel in Spain.
 

12/28/2020

James Michener's Iberia: Spanish Travels and Reflections: More Autographs, Stories & Photos Behind the Signatures in My Copy. Author Barnaby Conrad, Pg. 641 Plus Conrad´s Drawing in my Copy of La Fiesta Brava

 
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James Michener's Iberia: Spanish Travels and Reflections, Barnaby Conrad, pg. 641. Book photograph by Iberia photographer Robert Vavra.
 
In Iberia, James Michener mentioned Barnaby Conrad, artist and author of two English-language taurine classics, Gates of Fear, The Death of Manolete and Fiesta Brava.  I met "Barny," as his friends called him, the first time in Jaén on June 13, 1971, when I went with American Matador John Fulton and his adopted son, Federico, to attend the El Cordobés bullfight that was televised via satellite on closed circuit venues around the world, promoted as "La Corrida del Siglo" (The Bullfight of the Century) and dubbed "the herd shot around the world."  El Cordobés fought two bulls alternating with the serious bullfighters, Santiago Martín  'El Viti' and José Fuentes.  On his last the two borregos (dubbed "sheep" because they were so small) that he fought, he actually mounted it like a horse and rode it! 
 
This picture of Matador John Fulton and me with Manuel Bénitez 'El Cordobés' was taken at the after-party in Ja
én.  Barnaby Conrad comped us tickets and I got 'El Cordobés' to sign mine (below).
 


 
Author-Artist-Owner of the bar of legend "Matador" in San Francisco, Barnaby "Barny" Conrad, legendary bullfight aficionado Charles Patrick Scanlan and Mrs. Conrad (Mary Nobles Slater) in Sevilla, Feria de Abril 1998.
 

Many years later during the Feria de Sevilla in 1998, I met up with Barnaby Conrad, his wife Mary and the great aficionada Charles Patrick Scanlan at Scanlan's favorite Irish pub near the Cathedral in Sevilla. .

If you know nothing else at all about Barnaby Conrad, you should know that he wrote one of the greatest ledes in history in his book, The Death of Manolete:

"On August 28, 1947, a multimillionaire and a bull killed each other in Linares, Spain, and plunged an entire nation into deep mourning."

Once I was at a birthday party at The Doubles Club in New York for my friend Alison Price Becker and she sat me at a table with her, George Plimpton and others. He found out from our conversation that I had lived in Spain and knew many matadores.

Plimpton said, "These aficionados are so into bullfighting that they can tell you the name of the bull and that date that a bullfighter like Manolete was killed."

I replied, "The bull's name was Islero from the ranch of Don Eduardo Miura and he killed Manolete in the Plaza de Toros de Linares, Jaén, on August 28, 1947.

"See," Plimpton said, "I told you so."

 

My copy of La Fiesta Brava by Barnaby Conrad, signed by Conrad and with an original drawing dedicated to me, Jaén, June 13, 1971.
 ______________________________________________________________________________  

 Gastronomy Blogs

 About Gerry Dawes

 Dawes was awarded Spain's prestigious Premio Nacional de Gastronomía (National Gastronomy Award) in 2003. He writes and speaks frequently on Spanish wine and gastronomy and leads gastronomy, wine and cultural tours to Spain. He was a finalist for the 2001 James Beard Foundation's Journalism Award for Best Magazine Writing on Wine, won The Cava Institute's First Prize for Journalism for his article on cava in 2004, was awarded the CineGourLand “Cinéfilos y Gourmets” (Cinephiles & Gourmets) prize in 2009 in Getxo (Vizcaya) and received the 2009 Association of Food Journalists Second Prize for Best Food Feature in a Magazine for his Food Arts article, a retrospective piece about Catalan star chef, Ferran Adrià. 

In December, 2009, Dawes was awarded the Food Arts Silver Spoon Award in a profile written by José Andrés

". . .That we were the first to introduce American readers to Ferran Adrià in 1997 and have ever since continued to bring you a blow-by-blow narrative of Spain's riveting ferment is chiefly due to our Spanish correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food journalist raised in Southern Illinois and possessor of a self-accumulated doctorate in the Spanish table. Gerry once again brings us up to the very minute. . ." - - Michael & Ariane Batterberry, Editor-in-Chief/Publisher and Founding Editor/Publisher, Food Arts, October 2009. 

In 2018-2019, Gerry Dawes was the Producer and Program Host of Gerry Dawes & Friends, a weekly radio progam on WPWL 103.7 FM Pawling Public Radio in Pawling, New York.
 

 

Pilot for a reality television series on wine, gastronomy, culture and travel in Spain.
 
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