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Ranked #7. Gerry Dawes's Spain: An Insider's Guide to Spanish Food, Wine, Culture and Travel gerrydawesspain.com

"My good friend Gerry Dawes, the unbridled Spanish food and wine enthusiast cum expert whose writing, photography, and countless crisscrossings of the peninsula have done the most to introduce Americans—and especially American food professionals—to my country's culinary life. . .” - - Chef-restaurateur-humanitarian José Andrés, Nobel Peace Prize Nominee and Oscar Presenter 2019; Chef-partner of Mercado Little Spain at Hudson Yards, New York 2019

Showing posts with label California. Show all posts
Showing posts with label California. Show all posts

9/10/2017

A Traveller in Wines (A Work-In-Progress) - Prologue: Monterey, California to Southern Spain



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     Roberto (l) from La Alameda de Hercules and his army buddies (and my wine drinking and flamenco buddies) on the train from Sevilla to El Puerto de Santa Maria (my stop) and San Fernando (their stop).  Photo by Gerry Dawes 1969.
     
    Before I was stationed in Spain in the United States Navy, my experience with wine—except for plying girlfriends back in Illinois with the occasional bottle of pink “Champagne”—came in California in the mid-1960s. On weekends on the mystical white beach at Carmel, with my buddies—all of us students at the Defense Language Institute at the Presidio of Monterey—and I shared the jugs of cheap California wines, along with bread and cheese from the Mediterranean Market in the village. 

    One night under Monterey’s decaying old wharf, I helped two others polish off a gallon jug of Mountain Red—with miserable results. And once in a while on a payday weekend, I would splurge on abalone and a bottle of Almaden Emerald Riesling or some such at a restaurant on Monterey’s then-not-so-touristy Fisherman’s Wharf or have spaghetti and a wicker-wrapped, aptly-named fiasco of Chianti on Cannery Row, which at that time still had vestiges and whiffs of John Steinbeck’s time.

    And, one August weekend in 1967, surrounded by a bristling, rifle-armed, weekend warriors of soon-to-be-sent-home National Guard Troop (for a rock concert?), we watched and listened in wine-soaked reverie at the Monterey Pop Festival as Janis Joplin, Big Brother and the Holding Company, The Who, Jefferson Airplane, The Grateful Dead, Jimi Hendrix, Canned Heat and Otis Redding became international stars right before our mesmerized eyes and passed into legend.

    At Southern Illinois University I had sporadically pursued a journalism major until 1965, when the Lyndon Baines Johnson-led United States government—opting first, or course, for those “who had not worked continuously towards a degree”— decided that they needed even more carrion candidates for Vietnam. I volunteered for the Navy as soon as I felt the hot breath of my local draft board breathing down my neck. To avoid the possibility of two years of infantry duty and possible death (certain in my mind), I enlisted for four years of life in the Navy, astutely calculating that aircraft carriers didn’t normally invade Vietnamese rice paddies. 

    Ironically, I damned near died from a bout with spinal meningitis that I contracted during basic training at Great Lakes Naval Station, where recruits were allowed some four hours sleep a night, which greatly contributed to a meningitis epidemic among them during that epoch. (In the middle of the night, we took turns guarding a laundry room, just in case, we surmised, the Viet Cong somehow managed to penetrate the heartland in the dead of a Lake Michigan winter to stage a surprise laundry raid). 

    After a four-month stay in the hospital, on the telephone I pestered the Navy bureaucrats in Washington until they sent me to the Defense Language Institute at Monterey, California, where I miraculously graduated as a poor-to-mediocre linguist. I left Monterey barely conversant in pidgin military Russian, but did learn to sing a transliterated version of “Dixie.”  

    After graduation, we were transferred for several months to Defense Department’s Top Secret Security School in San Angelo, Texas, a training assignment made memorable by a monumentally ignorant Chief Botswain’s Mate, who lined up a mostly college-educated crew of linguists and threatened to charge us for mutiny for failing to show up for a useless meeting after an all-night class. He punctuated his blustering by proclaiming the “ignorance in Botswain’s Mates went out with the sailing ships,” which caused the incredulous officers watching this absurd, worthy-of-a-M.A.S.H.- episode performance to stifle guffaws. The mutiny squelched, we survived to graduate. Just before we graduated, one day in class when my field assignment was announced as Spain, someone blurted, “You lucky bastard!” As it turned out, life’s lottery had handed me a winning ticket. As soon as class was over, I went straight to the base library and checked out the few books I could find on Spain. 

    Rota, January, 1969.  Photo by Gerry Dawes.

    Because of the military’s infinite wisdom and logic-defying precision, I was assigned for two years to the Rota Naval Base in Andalucía, from which periodically I was sent out riding the plane captain’s seat of antiquated, 1950s’ vintage, un-armed airplanes, including the great swept-wing hog, the A-3 Skywarrior, a converted fighter-bomber. Staging out of Greece and West Germany, we flew on electronic eavesdropping missions off the coasts of Egypt, Libya, East Germany, Poland, and Russia. It was my job to listen on a radio receiver and tape Russian military conversations. The first time I heard a MIG on our tail pretending to lock on with a missile, which would have turned us to toast in just a few seconds, I momentarily longed even for a rice paddy. Nevertheless, during my two-year tour of duty in Rota, between flying missions, I had time to begin discovering Spain and I began to develop an afición, a passion, for the country that has continued to grow for more than 45 years. 


    I was glad, deliriously glad, to be in Europe and not in Vietnam. By August of 1968, a year after that momentous Monterey Pop Festival, I found myself in a steamy second class train car rattling south through Andalucía towards El Puerto de Santa María with a group of Spanish conscripts, who would become my friends over the course of that summer as we traveled back-and-forth between our respective military assignments in Cádiz province and weekend R & R in their beautiful, mystical Sevilla, the quintessential city of southern Spain, which was rapidly becoming my adopted hometown. 


    On that slow rocking train in southern Spain, Roberto, one of my new Spanish soldier friends—most of whom came from La Alameda de Hércules, a Sevilla working class barrio—taught me how to cut a V-shaped wedge out of either side of a cork pulled from the label-less bottles of coarse, ice-cold, red vino corriente that I would purchase at station when the train stopped in heat-baked Utrera, south of Sevilla. Roberto would shove the cork back in the bottle and pass the wine around for all to share bota-style, each in turn tilting up the bottle and allowing the wine to flow in a stream into the drinker’s mouth without allowing the bottle to touch his lips. During the summer of 1968, I nearly mastered the art of hitting my mouth with a stream of red wine while standing in the passageway at the end of the swaying train car, through whose open doors warm air gushed, considerably increasing the degree of difficulty.
     
    Soldiers on a Train:  Roberto, far left, second right, soldier holding the bottle with the cork in the bottle with a V-cut in the cork.
     

    Roberto.

    Wine-stained shirts and few bottles of wine were a small price to pay for many hours of the conviviality of these fun-loving Spanish soldiers. In addition to learning a modicum of unorthodox wine-drinking etiquette from Roberto and his friends, I picked up some Spanish by osmosis and was treated to impromptu flamenco singing accompanied by the staccato rhythms of my friends clapping palmas (which they also taught me). I was also given a share of Roberto's mother's superb tortillas españolas (Spain's classic potato omelettes that are sliced into wedges and eaten cold—then a traveller's staple in Spain). Each week, when we arrived in Sevilla, Roberto and his friends told me which train they would be taking back to their base in San Fernando. No matter what shape we were in after drinking multiple bottles of wine on the two-hour train ride, my new amigos always made sure I got off at El Puerto de Santa María, the great sherry town on the bay of Cádiz, where I would catch the shiny little local train to nearby Rota. There were big abrazos (embraces), waves, and good wishes from my new-found friends as I dis-embarked, then they were back to clapping and singing flamenco as their train creaked to life and rolled on to San Fernando, two stops down the line. 


    The sharp, metallic, chilled wine--which tasted far better with the good tortilla, Spanish olives, and rough country bread--was never more than poor to mediocre, but it was the camaraderie and conviviality of Roberto and his Sevillano friends sharing their food, songs, jokes, and stories with me that made those train trips so memorable and the ordinary wine and food a feast. On those wonderful “wild and weary” train rides through tawny summertime Spain, I also learned an indispensable rule about drinking vino—the most important thing about any bottle of wine is the people surrounding it. And in the process I developed a passion for Spain, Spaniards, and Spanish wine and food that has endured to this day. 

    My experiences with those Spanish soldiers set the tone for the stories that follow. 


    Gerry Dawes©2017
    gerrydawes@aol.com
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 Gastronomy Blogs
 About Gerry Dawes

Gerry Dawes was awarded Spain's prestigious Premio Nacional de Gastronomía (National Gastronomy Award) in 2003. He writes and speaks frequently on Spanish wine and gastronomy and leads gastronomy, wine and cultural tours to Spain. He was a finalist for the 2001 James Beard Foundation's Journalism Award for Best Magazine Writing on Wine, won The Cava Institute's First Prize for Journalism for his article on cava in 2004, was awarded the CineGourLand “Cinéfilos y Gourmets” (Cinephiles & Gourmets) prize in 2009 in Getxo (Vizcaya) and received the 2009 Association of Food Journalists Second Prize for Best Food Feature in a Magazine for his Food Arts article, a retrospective piece about Catalan star chef, Ferran Adrià. 


". . .That we were the first to introduce American readers to Ferran Adrià in 1997 and have ever since continued to bring you a blow-by-blow narrative of Spain's riveting ferment is chiefly due to our Spanish correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food journalist raised in Southern Illinois and possessor of a self-accumulated doctorate in the Spanish table. Gerry once again brings us up to the very minute. . ." - - Michael & Ariane Batterberry, Editor-in-Chief/Publisher and Founding Editor/Publisher, Food Arts, October 2009.

 

4/16/2010

Abandoning Heavy Bottles for Wine, New Oak (de-forestation), High Alcohol and Other Pretenses; Plus Embracing the 500ml. Bottle For High-priced, High Alcohol Wines and Comments on Natural Cork Wine Stoppers with a Slide Show From Amorim, the Portuguese Cork Producer



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Bar El Xampanyet, Barcelona. 
Photo by Gerry Dawes©2004.

Tyler Colman on his Dr. Vino's Wine Blog had a very interesting post on April 16, 2010 Tony Soter sheds some weight [carbon footprint] on Oregon winemaker (and long-time California winemaker-consultant) Tony Soter.  Soter had recently decided, according to Dr. Vino, "The Oregon vintner shipped his 2007 Pinot Noirs in bottles weighing 900g, more than the 750g of wine in the bottle. But for his 2008s (which were to be released soon), the bottles will weigh 600g (both bottles, pictured right). Needless to say, the reduced packaging mass greatly reduces the carbon footprint of the wine."

“The time has passed that you can try to impress people with the substance of the bottle as opposed to what is in the bottle,” he (Soter) said.

No kidding, Tony? (Back in the day, I used to sell Soter-made wines, which I quite liked.)!  What gave you the first clue that maybe you and the rest of the winemakers in Oregon--and in California, Spain, and elsewhere--should have been considering substance and content over form in the first place? 

Maybe more new wave (now old and very tired wave) Parkerista-bent winemakers from around the world should consider the words of star chef Thomas Keller (The French Laundry, Per Se, Bouchon and an original, charter member of The Chefs From Hell Acrobatic Unicylcists and Winetasters Club of New York) from the Wall Street Journal yesterday (April 15, 2010).  Keller was quoted as saying, "We do what we believe in, not what our guests want us to do." 
(Sounds akin to the philosophy of the Spanish Artisan Wine Group!)

Thomas Keller at jamón Ibérico de bellota producer Joselito's hospitality suite at San Sebastián Gastronomika 2010. (Joselito: "Declared the best jamón in the world." 
Photo by Gerry Dawes ©2010 / gerrydawes@aol.com

How unique!  Maybe some wineries--those who are always telling me that their overblown, overripe, high alcohol/new oak-trashed wines (many put up in hernia-inducing bottles)--are "what the market is asking for!," should hire Keller as a consultant.

This was my comment in response to the Soter "heavy bottle" piece on the Dr. Vino Wine Blog:

"Isn't it amazing how people who ought to have known better in the first place change their thinking when the wind starts to blow from a different direction. Now, in addition to getting rid of super-heavy bottles (duh, the shipping costs alone for such pretentiousness ought to have been their first clue!), we will soon see a massive shift away from the “new French oak” religion, not because the inexpert use of new oak screws up the taste wine, but because new oak designer barrels cost too bloody much.  

Having their wines taste like someone had just dragged a new piece of lumber from the midnight shift at the sawmill over the drinkers was not enough for winemakers--toadying up to wine reviewers, who must have been moonlighting as raw furniture reviewers--to abandon their embrace of laying the wood to the fruits of their labors.  No, it is not the impact of oak on the taste the taste of wine isn't the reason the oaky monster crowd of winemakers is going to less and less new oak.  After all many of them preached "good" (read expensive) wood over good winemaking as a religion.   It is the impact of the falling dollar against the Euro laying the wood to their wallets that is causing this sudden change of heart.  Follow the money trail, folks, in wine, politics, even religion.
 
But, I digress.  As long as we are on the subject of heavy bottles, my partial solution to the outrageously high alcohol levels in the wines of California--and of Priorat, Ribera del Duero, Toro and other place–besides stopping the harvesting of irrigated fruit allowed to overripen, sometimes a necessity because the grapes are on the slow-drip tit–is to put these charicature trophy wines in 500ml bottles. 

A half liter (500ml.) is about all two people can drink of these high alcohol monster these days anyway, especially in restaurants (from which many customers have to drive), so that would stop customers from leaving a fourth to a third of the bottle un-drunk on the table.  Also, when you stop to think about it, a wine with 15% alcohol is not just 2.5% higher in potency than a wine of 12.5%, it actually has 20% more alcohol than a .750ml. normal bottle at 12.5%, which makes the experience almost like drinking a full liter of wine. 

Half-liter bottles would allow producers to simultaneously drop their price per bottle by about 25% and make more bottles available to the public for wineries who have tight allocations (the few left who do).  Sure, they would still keep bottling in 750ml. for collectors and wine aficionados who want to cellar those wines.


And, while we are at the carbon footprint thing (Dr. Vino's Wine Blog), how about doing away with plastic stoppers, which are going to end up in those huge floating plastic trash dumps in the Atlantic and Pacific Ocean? And the carbon footprint on natural cork (News on Spanish wine and food- Qué se dice del vino y alimentos de España) is so far above that of the horrid screw-top closure that, now that TCA and bad corks* have generally been brought under control there is not real excuse for continuing the screw-top madness. (Yeh, I know they are easier to open, just don’t slice your finger on that aluminum that is going to end up in the landfill and create pollution.)

*Of the samples I am sent to taste for articles about Spanish wines, I seriously can’t remember when the last cork-tainted wine turned up.

Cork harvest, production and quality control at Amorim in Portugal.


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About Gerry Dawes

Gerry Dawes's Spain: An Insider's Guide to Spanish Food, Wine, Culture and Travel


Gerry Dawes was awarded Spain's prestigious Premio Nacional de Gastronomía (National Gastronomy Award) in 2003. He writes and speaks frequently on Spanish wine and gastronomy and leads gastronomy, wine and cultural tours to Spain. He was a finalist for the 2001 James Beard Foundation's Journalism Award for Best Magazine Writing on Wine, won The Cava Institute's First Prize for Journalism for his article on cava in 2004, was awarded the CineGourLand “Cinéfilos y Gourmets” (Cinephiles & Gourmets) prize in 2009 in Getxo (Vizcaya) and received the 2009 Association of Food Journalists Second Prize for Best Food Feature in a Magazine for his Food Arts article, a retrospective piece about Catalan star chef, Ferran Adrià.

In December, 2009, Dawes was awarded the Food Arts Silver Spoon Award in a profile written by José Andrés.

". . .That we were the first to introduce American readers to Ferran Adrià in 1997 and have ever since continued to bring you a blow-by-blow narrative of Spain's riveting ferment is chiefly due to our Spanish correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food journalist raised in Southern Illinois and possessor of a self-accumulated doctorate in the Spanish table. Gerry once again brings us up to the very minute. . ." - - Michael & Ariane Batterberry, Editor-in-Chief/Publisher and Founding Editor/Publisher, Food Arts, October 2009. 



Mr. Dawes is currently working on a reality television series
on wine, gastronomy, culture and travel in Spain.



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