* * * * *
Gerry  Dawes giving a derechazo to a vaca brava at a tienta at Concha y Sierra ranch, 1971.  Photographs of me showing my arte taurino and vino courage by Robert Vavra, photographer for James Michener's Iberia.
  Although
 the passage from James Michener's Iberia below my Homage to Iberia 
excerpt doesn't have an autograph, it has a personal story behind.  One 
day in 1971, I was lucky enough to be invited by Matador John Fulton to a
 tienta (a testing of the fighting stock) at Concha y Sierra ranch.   
Joining us was Iberia photographer Robert Vavra, the novillero Curro 
Camacho (about whom Vavra was writing and photographing a book), another
 bullfighter aspirant and my friend, the up-and-coming novillero Alonso 
Morillo, who had already had several triumphs in the La Maestranaza, 
Sevilla's La Scala of bullrings. 
 
Giving a derechazo to a vaca brava at a tienta at Concha y Sierra ranch, 1971.  Photograph by Robert Vavra, photographer for James Michener's Iberia. 
  The professional toreros gave 
passes to several of the vacas bravas as I photographed them from a 
burladero (the protective barrier behind which the toreros stand when 
the animal first comes into the ring).  There was also plenty of Palma 
del Condado vino, a Sherry-like wine made in Huelva province.   I had 
drunk my share to work up my courage in case they might invite me to try
 my hand at some passes.  
 
Interior patio of our first home at Justino de Neve 3 in 
the
 Barrio de Santa Cruz, the old Jewish quarter of Sevilla.   
I had been living in a lovely house in the
 Barrio de Santa Cruz, the old Jewish quarter of Sevilla.  Some nights 
when my pareja Diana Valenti and I came back from a night of in the 
tapas bars of Sevilla, in the Plaza de los Venerables, right off our 
street, Justino de Neve, we would encounter a very friendly big black 
and white hound that I called "Hombre."  Hombre was very playful, so I began pulling out my pocket 
handkerchief, unfurling it and giving the perro bullfighting passes.  I had 
done this numerous times.  Surprisingly, it was not much different from 
fighting a bull, except a bull is much, much larger and has horns that 
can kill you. 
 
Fulton and the others did not know that I had been 
practicing with the big dog plus I had the 
advantage of several of those glasses of 15% alcohol Condado de Palma 
wine, which mercifully was a fear inhibitor.  So, when they asked me if I
 wanted to give some passes to that Concha y Sierra vaca brava, I was 
very pleased to get the chance. 
 Gerry  Dawes giving a derechazo to a vaca brava at a tienta at Concha y Sierra ranch, 1971.  Photograph by Robert Vavra, photographer for James Michener's Iberia. 
John Fulton gave me his muleta and
 lighter wooden fake sword that is used to spread the cloth for 
right-handed passes.  I went out into the ring for my date with destiny,
 a several hundred-pound cow from fighting stock, with horns.  Cows, 
which are tested to see if they are brave enough for breeding fighting 
bulls, have wounded and killed numerous bullfighters.  The most notable 
was the great Antonio Bienvenida, who was killed when a cow that had 
been fought and let out, came charging back into the ring, caught him 
behind, lifted him into the air and dropped him on his head, which broke
 his neck and caused his death. 
But, with my Condado de 
Palma-induced bravery and having seen El Cordobés, the most popular 
bullfighter in those days, advance towards a bull crossing the 
trajectory as they say, slapping his outer  thigh and shouting, "Ey, ey,
 toro,"  imitating El Cordobés.  I advanced slapping my left thigh.
Fulton shouted, "Don't do that, Gerry, you will call her in on you."
 
 
 
Giving a derechazo to a vaca brava at a tienta at Concha y Sierra ranch, 1971.  Photograph by Robert Vavra, photographer for James Michener's Iberia. 
But,
 when I advanced the muleta (the red cloth), the vaca brava  charged 
like she was "on rails' and was an excellent very brava specimen.  She 
went for the cloth and not for me, for which I will forever be grateful.
   I got off seven passes, three of them linked, and actually heard 
"Ole's" from my professional torero friends and Bob Vavra, my 
photography mentor.  Fortunately, Vavra used my cameras to capture my 
"faena" for posterity. --from Homage to Iberia, a work-in-progress by 
Gerry Dawes©2020
 
 Giving a derechazo to a vaca brava at a tienta at Concha y Sierra ranch, 1971.  Photograph by Robert Vavra, photographer for James Michener's Iberia. 
  Below:
Part
 of Jim Michener's description of his outing with John Fulton to visit 
Concha y Sierra ranch in Las Marismas in the province of Huelva. 
  
Photograph of a page about Concha y Sierra with a photo of a burladero at the ranch.  Iberia, p.  213.  Photograph by Robert Vavra. "I
 was fortunate in visiting Las Marismas for the first time in winter, 
for this was the rainy season and I was thus able to see the bull ranch 
in maximum swamp condition; it seemed to me that about seventy percent 
of its land was either under water or was so water-logged that if I 
stepped on what appeared to be a solid tussock, it collapsed beneath me 
with a soft squish, so that my feet were again in water. It was on such 
land that the Concha y Sierra bulls flourished, but it was not until the
 matador led me to the dry area on which the ranch buildings stood, and I
 saw the famous brand of an S inside a C scrawled on the side of a 
corral, that I was ready to believe that this was the territory of the 
bulls about which I had read so much. 
The Concha y Sierra bulls had a
 brave history, and many a noble head had gone from the bullring to the 
taxidermist’s and from there to the wall of some museum, with a plaque 
beneath to inform the visitor as to what this bull had accomplished 
before he died. 
On June 1, 1857, the Concha Bull Barrabás 
participated in what the books describe as ‘one of the most famous 
accidents in the history of bullfighting’ in that, with a deft horn, it 
caught the full  Iberia 228 matador Manuel Domínguez under the chin and 
then in the right eye, gouging it out. It was assumed that Domínguez 
would die, for his face was laid open, but with a valor that had 
characterized his performance in the ring he survived, and three months 
later was fighting again as Spain’s only one-eyed matador, having 
stipulated that for his return the bulls must again be from Concha y 
Sierra. For another seventeen years he fought with only one eye and 
enjoyed some of his best afternoons with Concha bulls. He is known in 
taurine history as Desperdicios (Cast-off Scraps, from the contemptuous 
manner in which he tossed aside his gouged-out eyeball)." -- Iberia: 
Spanish Travels and Reflections, James A. Michener, page 213 in the 
original copy of the book.
  
______________________________________________________ 
 
 
 
 About Gerry Dawes
Dawes was awarded Spain's prestigious Premio Nacional de Gastronomía (National Gastronomy Award) in 2003. He writes and speaks frequently on Spanish wine and gastronomy and leads gastronomy, wine and cultural tours to Spain. He was a finalist for the 2001 James Beard Foundation's Journalism Award for Best Magazine Writing on Wine, won The Cava Institute's First Prize for Journalism for his article on cava in 2004, was awarded the CineGourLand “Cinéfilos y Gourmets” (Cinephiles & Gourmets) prize in 2009 in Getxo (Vizcaya) and received the 2009 Association of Food Journalists Second Prize for Best Food Feature in a Magazine for his Food Arts article, a retrospective piece about Catalan star chef, Ferran Adrià. 
In December, 2009, Dawes was awarded the Food Arts Silver Spoon Award in a profile written by José Andrés. 
". . .That we were the first to introduce American readers to Ferran Adrià in 1997 and have ever since continued to bring you a blow-by-blow narrative of Spain's riveting ferment is chiefly due to our Spanish correspondent, Gerry "Mr. Spain" Dawes, the messianic wine and food journalist raised in Southern Illinois and possessor of a self-accumulated doctorate in the Spanish table.  Gerry once again brings us up to the very minute. . ." - - Michael & Ariane Batterberry, Editor-in-Chief/Publisher and Founding Editor/Publisher, Food Arts, October 2009. 
Gerry Dawes was the Producer and Program Host of Gerry Dawes & Friends, a weekly radio program on WPWL 103.7 FM Pawling Public Radio in Pawling, New York.
   
 
 Pilot for a reality television series
on wine, gastronomy, culture and travel in Spain.
 
 
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